Residency Program at

Soroche de los Andes offers a multidisciplinary residency program at CASA-TALLER, a studio-workshop ecosystem where craft, family life, and nature coexist.

Located in the peaceful town of Puembo, Ecuador, the program invites artists and thinkers to engage in independent creative research within a collaborative network.

Residents gain access to specialized workshops for ceramics, woodworking, and printmaking, supported by technical guidance and a serene environment designed for reflection and practical learning.

Una niña pequeña jugando en un taller con muchas lámparas colgantes de madera y objetos de madera en primer plano, con luz natural entrando por una ventana.
Texto en letras grandes que dice 'FFAAJA' en color negro sobre fondo transparente.
Lámparas de madera en exhibición.

FAAJA is a series of wood pendant lamps that reinterpret the ancient pottery technique of coiling, transforming it into sculptural lighting. Handcrafted from thin, layered wood, each piece floats with warmth and texture—enriching spaces individually or in luminous compositions.

Persona sosteniendo un jarrón de cerámica con diseño antiguo, con fondo de pared de piedra.
Imagen del texto 'Cada pieza - nacida del tiempo' en letras negras sobre fondo blanco

Whether shaped from clay, wood, or living matter emerges through an intimate, conscious, and ritual process. From foraged soils, volcanic fragments, and ashes, it seeks not merely form but essence, letting the voice of the land flow through the object. Rooted in native materialities, it follows the slow rhythms of creation, where time takes its time, and each gesture holds the quiet possibility of silence and contemplation.

Personas moldeando una vasija de cerámica en un taller artesanal.

Ceramics Lessons—born of time, whether shaped from clay, wood, or living matter—emerges through an intimate, conscious, and ritual process. From foraged soils, volcanic fragments, and ashes, it seeks not merely form but essence, letting the voice of the land flow through the object. Rooted in native materialities, it follows the slow rhythms of creation, where time takes its time, and each gesture holds the quiet possibility of silence and contemplation.